At the beginning of the year I was chosen along with Lindelwa Kisana, Beren Belknap and Frankie Nassimbeni to take part in ASSITEJ SA’s Inspiring a Generation programme. It’s a collaboration with ASSITEJ’s Swedish chapter whose goal is to encourage more quality plays to be written for the youth. At the beginning of the month our counterparts arrived and we spent a week doing workshops lead by Karen Jeynes and Lucia Cajchanova. In three weeks we’ll be going to the Bibu.se Festival in Lund and will be presenting scenes and the first draft of our plays.
Whenever I need inspiration, or my process stalls, I turn to Robert McKee’s Story. I randomly opened it and got this:
“At last he [the writer] has a story. Now he goes to friends, but not asking for a day out of their lives – which is what we ask when we want a conscientious person to read a screenplay. Instead he pours a cup of coffee and asks for ten minutes. Then he pitches his story.”
The exercise of writing out the story inevitably leads us to write out what happens. But this is not story. The story is the distillation of what happens, the spine under the actions and events that gives them meaning. Telling a story is to select moments out of the infinite scope of ‘what happened’ (for in fiction anything is possible) into an emotionally moving sequence. When you tell someone your story out loud you’ll see if it works in their face and their body language. Then you’ll know if you have story that’ll hook your audience or just a list of things happening.