The first month of my 11×11 project has come to an end and I have done one play. Sort of. The rules I laid out put the page target at 30, but I finished at 26. Apart from a two page prelude, the play is a single continuous scene without entrances or exits. Two characters having a conversation.
So what did I learn? Firstly, finishing is the most important thing and how that may be defined is a not hard and fast. 30 pages is a good goal, but a piece that’s shorter but with a continuous spine and a real ending is also good. Secondly, to be careful of excuses. The one above makes sense but other excuses I made to not write were lame self-sabotage. Among them:
- I can make up the page count tomorrow (no, you won’t)
- I don’t have an idea what to do next (not writing is the opposite of solving this)
- I’d rather answer this email (that’s a damn lie)
- OK, but I have to answer this email (you know you don’t really)
- I’ll write better after a power nap (you won’t get back up)
- What’s happening on Facebook/Twitter/News24 comments section? (What is wrong with you?!)
And Finally, I confirmed it’s possible. For me. (So probably for you too)
The result of January’s labour is Every Beautiful Thing, promised to Briony Horwitz last year and finally delivered. It’s an emotional drama and comes from the same place as A Girl Called Owl – a spiritual sequel. To keep the 11×11 challenge interesting I’m going to pick very different projects each month, so February’s play is going to be The Underground Library. This is more in the Get Kraken! mould, multiple scenes and locations, an action adventure aimed at teenagers. Conveniently there’s an SAfm radio play competition and the submission deadline is the end of the month. Whenever possible I’m going to try incorporate opportunities like this into the challenge (because I like money).