Owls and Krakens and Bears, Oh My!

I’m writing from an artists’ residency in Berlin that I am crashing. It’s called HomeBase and is all about bringing together artists from around the world together to work on notions of ‘home’ – I am not one of those artists, I’m just visiting. It’s a really interesting project and you can find out more on their Homepage.

For me it’s a nice space to type out emails and write press releases and go out of my mind worrying about the up-coming National Arts Festival. It is right around the corner (at this point some of you will nod, mutter about how true that is, stop reading and switch tabs to get back to working on your own productions), and it’s going to be a tough one.

Mostly because I’m trying to wrangle Krakens and Owls from another continent (OK, so that accounts for two thirds of the titular menagerie… where do bears fit in? Well, the bears are a symbol of Berlin. There. Mystery solved.)

This first half of the year has been a roller-coaster, with highs like Alexander Upstairs and the amazing response at Brighton Fringe for A Girl Called Owl, and lows like my collapsed lung (a month in and out of hospital and the recovery period) and the low turn out for Get Kraken despite amazing reviews. I’ve made a lot of declarations about what I’m going to focus on, and then made a whole lot more declarations stating the opposite. The most important lesson is just to keep working; good things happen if you don’t give up.

Owl’s first week at the Brighton Fringe: Pints, Armchairs and Openings

We left Cape Town a week ago, Briony and I both racing through our last minute chores to make it to the airport on time. We checked in and suddenly the rush and the pressure to finish jobs and send emails and edit documents ended. We sat in Departures and we could do nothing more. It was bliss. After a week trying to balance rehearsals, marketing and managing the Upstairs, and getting my flat ready to be left empty for two months, I had finally reached the point where I couldn’t do anything more. Even if I had wanted to, I couldn’t.

We arrived 7.30am in London and hopped a train to Hove station where we’re staying with my sister. We didn’t have long to settle in because the main task for the day was finding an arm chair for Owl. We visited six second-hand furniture stores in the morning. It was proving difficult, there were many small details about the chair that I hadn’t realised were important: the angle of the back, the width of the arms, the depth of the upholstery. Fortunately there are a lot of second-hand stores here selling good quality stuff much cheaper than in Cape Town.

Briony outside Nightingale (480x640)At midday we popped in at the Nightingale Theatre, the space to be our home for the next couple of weeks. It’s a lot like Alexander Upstairs – a smallish room above a pub with a capacity of around 40 -50. It’s got a couple of advantages… better lights and more stage space; just as we have ours. Both of us share the problems of being a small space, the biggest being bad sightlines from the operating desk.

The Nightingale team is led by Steve, a trim bearded dancer who occasionally does kicks. He makes us feels very welcome and the office is very friendly. That’s generally the feeling of the Brighton Fringe – friendly and welcoming. The locals are far more mixed, ranging from the scarily grumpy to the scarily cheerful.

Thursday has me working on the armchair’s spinning mechanism and then watching as Briony subjects it to the blocking; spinning, jumping on it, tipping it and then deciding it was too nice. So we scratched it, tore it, kicked it and stained it in to a more suitably disreputable state.1368106666792 (608x457)

In the afternoon we went to a Participant Mixer hosted by the Fringe and featuring free pizza and wine. We set out to enjoy ourselves first. A lot of people see these sorts of events as opportunities to meet important people and make them come to your show. It’s not. It’s an opportunity to meet interesting people, have some free wine and have fun. Maybe you’ll meet important people too, and that interaction will be more rewarding because it doesn’t follow from an agenda. I met a Master synchronised swimmer, a part-time actor and air-steward, a former prostitute, a sartorial comedian, and a Welsh cake. Our new fest friends We Are Goose are doing a musical on the life and work of John Hunter. We had pints!

We opened with 2 shows on Saturday and one Sunday. The audiences were small but very attentive and there have been some great tweets about the show and Briony’s performance. So far we’re feeling confident that the run will be worthwhile. It’s also great to be out of Cape Town for a bit and some perspective on our little theatre world.

 

Get Kraken!

Kraken Teaser webGet Kraken is a tale of high adventure; there are poachers, plucky heroes, ice-cold villains, breath-taking battles and a sea monster bigger than your imagination. All brought to larger-than-life by four actors. No fancy props or cd players making sound effects. Four sweaty actors take the audience under the ocean on the hunt for the greatest catch of all… the KRAKEN!

Get Kraken is next performing at: the Cape Town Fringe 27 September to 5 of October

27 September 2014 15:00
28 September 2014 13:05
29 September 2014 18:00
01 October 2014 13:05
02 October 2014 9:00
03 October 2014 11:00
05 October 2014 11:00

I wrote Get Kraken as part of ASSITEJ SA and The Theatre Arts Admin Collective’s Inspiring a Generation programme, a combination of a mentorship and cultural exchange which I have posted about a couple of times before (Inspiring a Generation, No Really). It’s being performed at various schools around the Cape even gone as far a field as the Garden Route Family Festival in Plett and Knysna. Right now we have one week left at the Intimate Theatre (16th April – 4th May), and it’ll be heading to the National Arts Festival in Grahamstown in June / July as part of the ASSITEJ family venue.

What sets the play apart from most other family fare is the way Kim Kerfoot and the performers create the world of the story. It’s done in the style of a theatrical comic book without props, set, or costume – the actors, dressed in black t-shirts and pants, use their bodies and voices to zoom in and out, to create special effects and locations from a busy road, the ocean by night, to a submarine or the inside of a whale. Part of going to schools has been giving workshops on this energetic style of performance. The script is also going to form part Shuter & Shooter’s grade 9 English reader next year, an added bonus for schools.

Get Kraken Performance

Reviews So Far:

“Director Kim Kerfoot brings Jon Keevy’s text to life in ways that keep the audience guessing and in stitches. As something of an environmentalist, for me it’s the reasoning behind hunting the Kraken that make this wildly entertaining play stand out among the current theatre on offer in Cape Town.”

– Clifford Graham, the Monday Missile

“Jon Keevy has written a fun and funny script and Kim Kerfoot has directed the cast with vigour and cleverness. I loved it.”

– Megan Furniss, Meganshead.co.za

“Under Kim Kerfoot’s direction this cast bravely goes into a totally different direction to most of what passes for children’s theatre in Cape Town. Instead of sticking to staid, safe fairy tales with bright primary colours and seriously old ways of looking at the world, Get Kraken is a comic-book adventure with references from the now and speech patterns borrowed from TV and film.”

– Theresa Smith, Cape Argus

“I couldn’t stop laughing. All you need is your imagination and you’ll be set for one seriously funny night!”

– Eugene Yiga, Bizcommunity

“The comedic appeal and brilliance of the artists is apparent from the moment they set foot on stage, but it is their imagination that particularly shines in this production. The cast merges vivid miming and idiosyncratic sound effects to create a theatrical tale for the hunt of “Kraken”.  This show without a doubt raises the bar for experimental stage comedy.”

– Benn van der Westhuizen, Whats on in Cape Town

“Keevy has managed to write a script for children which is as entertaining for adults and it is presented in an innovative way – light on embellishment and laden with energy.”

– Tracey Saunders, Cape Times

“Binne ’n driekwartier het jy egter ’n avontuur van epiese proporsies beleef.”

– Marina Griebenow, Die Burger

Get Kraken was first performed at the Intimate Theatre on the 16 April to 4 May

The Get Kraken team:

In which some folk had a sneak peek at my new play and I write a press release about it.

On Monday night a full house at Alexander Upstairs got to see a preview of my new play, Get Kraken, as part of Play Things, a monthly platform for artists to showcase new writing, experiments and short performances.

Play Things was started so that artists from different fields could have a space to try out stuff. There always seemed to be events where musician of a specific genre, or comedians, or poets could get together… with Play Things we wanted to stimulate collaboration across art forms. People come and are surprised, whether they’re in the audience or on stage they discover things they wouldn’t ordinarily go looking for. This is the first time I’ve put any of my own work on and I was pretty nervous. But it was also my birthday so by 9pm I was also tipsy (just a little, I swear).

Get Kraken is a tale of high adventure; there are poachers, plucky heroes, ice-cold villains, breath-taking battles and a sea monster bigger than your imagination. All brought to larger-than-life by four actors. No fancy props or cd players making sound effects. Four sweaty actors take the audience under the ocean on the hunt for the greatest catch of all… the KRAKEN!

The response from the audience was fantastic. We shared the night with Tape Hiss and Sparkle, a scene from Oskar Brown’s work-in-progress Berlin was Yesterday, poetry by James Honibal and Black Lung.

Get Kraken will be at the Intimate Theatre, 37 Orange Street, Gardens, Cape Town

16 April to 4 May Tuesdays to Saturdays 8pm

R70 Adults, R50 concessions, R50 parents accompanied by a kid (most suitable for 8 and up)

For bookings and enquiries please email kraken@jonkeevy.com, for more information visit jonkeevy.com